Rosa Barba’s films, sculptures and performances start with movies and the machines that make them. They end up in the realm of exuberant effects.

Jessica Goldman Srebnick, the museum’s curator and the daughter of its creator, Tony Goldman, discussed her role and her ...

Racheal Crowther’s exhibition Gebrauchsmusik (or ‘Utility Music’) uses minimal means to capture the paradoxical duality of ...

Every year in late April, the hallways of the Minneapolis Institute of Art transform into a somewhat natural habitat. Local ...