Prosthetics boss Pierre Olivier Persin, now an Oscar nominee for his work on Coralie Fargeat's buzzy body horror, speaks to ...
Even Margaret Qualley can’t get the haunting visuals of “The Substance” out of her mind.
Mubi Supported by By Alissa Wilkinson Three-quarters of the way into “The Substance,” something truly ... By the time we get to this scene, Elisabeth’s entire body is wrinkled and decrepit ...